Heldenhalden & Schaltkreismythologien 1989 | 2026

Artistic Research by Rainer Görß and André Werner at the Human-Machine Interface

Heldenhalden & Schaltkreismythologien 1989 | 2026, 18 min 32 s, (excerpt)
8 drawings in approximately 33,333 variations. By Rainer Görß (drawings) and André Werner (video)

A collaboration, an artistic research at the Intersection of Man and Machine by Rainer Görß and André Werner.

Eight small works on paper were sent into the vastness of the Latent Space. All visual elements were given complete freedom to move freely within the space, to split apart, dissolve, or merge with other elements. To swim, fly, or climb—whatever took their fancy.
The images made wise use of this freedom and created their very own habitat.

Autopoiesis | Was vom Kino übrig bleibt | What Remains Of Cinema. #2 André Werner, interactive video installation, 2018 Closed circuit depicting a nude girl making a selfie in the mirror of a changing cubicle.
Autopoiesis | What Remains Of Cinema #2

Autopoiesis, like its prequel La Femme et Le Fou, is an interactive closed circuit installation. An old black-and-white TV set and an analog video camera are directly connected opposite to each other, creating a feedback loop in a closed circuit. The single frame of this edition, a selfie image of a nude girl standing in front of the mirror in a changing cubicle, is printed on an overhead sheet and placed, hanging on thin thread, between the camera and the monitor.

Thus, the image, which in itself reflects an autopoietic system, becomes part of the loop, jumping into the TV, immediately reborn in the camera, an autopoietic beauty. …continue reading