Selected works of art by André Werner. You may refine the selection by choosing to display only live streams, installations, video art, overhead installations, mixed media, objects, photographs, Polaroids, stills, projects or collaborations. Often a specific group of works span over several sub genres. You’ll find associated tags at the bottom of each entry that allows to see an entire group of art regardless of the media or material. The pieces shown here are mainly media art. Paintings, drawings and painted over photographs will be added over time. If you look for a specific work of art don’t hesitate to get in touch.
Her Hair II
André Werner, from the series „Her Hair“ (Her Hair II, 2023) Fine Art print on Baryte paper, Edition of 5 | 2 AP 40 x 30cm (print), 39 x 29 cm Passepartout, 50 x 40 cm (framed) signed, dated and numbered
Her Hair I
André Werner, Her Hair I, 75 x 50 cm, 2022 Fine Art print on Arches cotton rag 310, 75 x 50cm, 100 x 70 cm (framed), signed, dated and numbered. Edition of 3 | 2 AP
Der Blick zurück (Alaska)
André Werner, Der Blick zurück (Alaska), 2022 Chromogenic silver halide print, Edition of 3 | 2 AP 67 x 50 cm (print), 80 x 60 cm (framed) signed, dated and numbered
Der Blick zurück (Bogor)
André Werner, Der Blick zurück (Bogor), 2022 Chromogenic silver halide print, Edition of 3 | 2 AP 67 x 50 cm (print), 80 x 60 cm (framed) signed, dated and numbered
Der Blick zurück (Tochter der Adria)
André Werner, Der Blick zurück (Tochter der Adria), 2022 Fine Art print on Arches cotton rag 310, Edition of 3 | 2 AP 80 x 60cm (print), 74 x 49 cm Passepartout, 100 x 70 cm (framed) signed, dated and numbered
Der Blick zurück (Mentawei Insulanerin)
André Werner, Der Blick zurück (Mentawei Insulanerin), 2022 Fine Art print on Arches cotton rag 310, Edition of 3 | 2 AP 80 x 60cm (print), 74 x 49 cm Passepartout, 100 x 70 cm (framed) signed, dated and numbered
Der Blick zurück (Chinesische Dame)
André Werner, Der Blick zurück (Chinesische Dame), 2022 Fine Art print on Arches cotton rag 310, Edition of 3 | 2 AP 54 x 40cm (print), 51 x 34 cm Passepartout, 70 x 50 cm (framed) signed, dated and numbered
André Werner Aus der Serie „Der Blick zurück“ (Tibetanisches Mädchen) 2022 Chromogenic silver halide print, Edition of 5 | 2 AP 40 x 30 cm (print), 50 x 40 cm (framed) signed, dated and numbered
André Werner Aus der Serie „Der Blick zurück“ (Karenmädchen), 2022 Chromogenic silver halide print, Edition of 5 | 2 AP 40 x 30 cm (print), 50 x 40 cm (framed) signed, dated and numbered
Aus der Serie „Der Blick zurück“ (Birmanische Frau im Festgewand) 2022 Chromogenic silver halide print, Edition of 5 | 2 AP 40 x 30 cm (print), 50 x 40 cm (framed) signed, dated and numbered
André Werner Aus der Serie „Der Blick zurück“ (Chinesische Dame II) 2022 Chromogenic silver halide print, Edition of 5 | 2 AP 40 x 30 cm (print), 50 x 40 cm (framed) signed, dated and numbered
“The tide is high” from the series “Das winkende Mädchen”, interactive light object, 2021. 40 x 40 x 15 cm, acryl glass, whitewall sheet, motion detector, LED, layered overhead sheets.
The image is lit from behind if a motion sensor is triggered by a spectator. The image remains visible for about five seconds before hiding again behind.
By waving to the object one can bring back the waving girl.
Brigade der winkenden Mädchen #1, André Werner, 2021 Photograph, 40x 40 cm, chromogenic silver halide print. Ed. 10 / 2 AP
In den Korrespondenzen der Fotopionierin Felina Schrödinger findet sich der folgende Eintrag:
“In letzter Zeit habe ich eine seltsame Erfahrung gemacht. Wenn ich im öffentlichen Raum fotografiere winken mir regelmäßig wildfremde Personen zu. Genauer gesagt, sie winken der Kamera zu. Nicht jeder, meist sind es Kinder, die Alten und die Trunkenbolde, die Ehrlichen, wenn Du so willst. Als ob sie hinter dem Glas des Objektives die zukünftigen Betrachter vermuten, die, dicht gedrängt wie Matrosen in einem U-Boot, durch die Luke der Linse schauen. Ich frage mich, ob diese Menschen nicht ein tieferes Verständnis der Fotografie haben als unsere eitlen Akademiker.”
pictured: Brigade der winkenden Mädchen #1 (Brigade of the waving girls)
“somewhere down the palm road” from the series “Das winkende Mädchen”, interactive light object, 2021. 33 x 33 x 9 cm, metal, glass, whitewall sheet, motion detector, LED, layered overhead sheets.
The image is lit from behind if a motion sensor is triggered by a spectator. The image remains visible for about five seconds before hiding again behind.
By waving to the frame one can bring back the waving girl.
Brigade der winkenden Mädchen (Brigade of the waving girls), interactive light object, 2021. 33 x 33 x 9 cm, metal, glass, baking paper, motion detector, LED, layered overhead sheets.
The image is lit from behind if a motion sensor is triggered by a spectator. The image remains visible for about five seconds before hiding again behind.
By waving to the frame one can bring back the brigade of waving girls.
A test run with the image hidden behind a sheet of paper that dangles in the airflow of a fan. The image is lit from behind if a motion sensor is triggered by a spectator. The image remains visible for about five seconds before hiding again behind the blank paper.
By waving to the sheet one can bring back the waving girl.
Say Hello, Wave Goodby! The first realization from the series “Das winkende Mädchen” (the waving girl). Installation in the public space. Slide projection during the night of New Year’s Eve 2020/21.
Say Hello, Wave Goodby! is the very first realization from the series “Das winkende Mädchen” (the waving girl). A short-time nstallation in the public space. A slide projection during the night of New Year’s Eve 2020/21.
The first two of a series of interactive Light objects. The image is lit from behind if a motion sensor is triggered by a spectator. The image remains visible for about five seconds before hiding again behind a blank white screen. …continue reading
The fifth installment of my series of single-frame video installations What remains of cinema | ce qu’il reste du cinéma.
April 17. – 25. 2020, 06am – 03am CET
As I am, due to the current lockdown, unable to continue presenting these installations in galleries, cinemas or in the urban space, I made “La prisonnière du port” a live installation that streamed from my home. …continue reading
